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Wild Iron: New Zealand Poetry Adapted To Song (Digital)

by LORENZO BUHNE

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1.
Wild Iron 04:33
WILD IRON (Poem by Allen Curnow) Sea go dark, dark with wind, Feet go heavy, heavy with sand, Thoughts go wild, wild with the sound Of iron on the old shed swinging, clanging: Go dark, go heavy, go wild, go round, Dark with the wind, Heavy with the sand, Wild with the iron that tears at the nail And the foundering shriek of the gale.
2.
MAINTRUNK COUNTRY ROADSONG (Poem by Sam Hunt) Driving south and travelling not much over fifty. I hit a possum . . . ‘Little man,’ I muttered chopping down to second gear, ‘I never meant you any harm.’ My friend with me, he himself a man who loves such nights, bright headlight nights, said ‘Possums? just a bloody pest, they’re better dead!’ He’s right of course. So settling back, foot down hard, Ohakune, Tangiwai - as often blinded by the single headlight of a passing goods train as by any passing car - Let the Midnight Special shine it’s ever-loving light on me: they run a prison farm somewhere round these parts; men always on the run. These men know such searchlight nights: Those wide shining eyes of that young possum full-beam back on mine, watching me run over him . . . ‘Little man, I never meant you any harm.’
3.
Love Trek 04:38
LOVE TREK (Poem by Vincent O'Sullivan) Give me a hand, as the wind says even your palm, outwards, is enough to talk to. Give us, every wave knowns, the merest dabble, the full cadaver, the laciest etch, the furious assault, the agitation is constant, weather takes it or leaves it. Weather, which is the gist of our saying, of our silence, happens whatever happens, which is you as well. There is a man with frosted jaws against the Antarctic slam, there is an oiled woman with the sun so high, so romantic, the consoling rider. 'Cover me like a prairie,' the ice-logged slogger likes to fancy her saying, while ah, the return in the tiny tinkle of her chilled daquiri, such polar hints consoling such distant zones. All this with a hand rising its frigid thermos, all this with the glass tapped from a warmer hand. The white walking curtain at the lifting window, Captain Scott, come in!
4.
BEFORE YOU GO (Poem by Vincent O'Sullivan) If you give me an apple that would do. An apple you've picked yourself. Or one of those apricots that feels warm as a hand when you take it up from the table on the veranda. It says 'afternoon' any time of night or day. If you gave me one of those I wouldn't mind. Because it is February and a week of your walking around the house, your feet naked on the boards, seems a fair slice of life. An apple will do. Or an apricot. Before you go.
5.
Lonesome 04:06
LONESOME (Poem by Bill Manhire) I was so lonesome and as usual I could cry. I went out of the house. No single star was itself - just mountain and sky making the old horizon high... and behind me he tiptoed in through the door. Was he really so desperate? So poor? Years later I imagined him pointing the remote at the screen he's grown tired of and recalling his one lucky moment: a man walking away, and the suddenly shining interior: the irrelevant dirty floor - and the key lifting its clumsy light to the lock and lodging there deep in the cylinder.
6.
Elegy: again 06:39
ELEGY: AGAIN (Poem by Vincent O’Sullivan) You are on a railway platform in the driest country we had ever seen. We stand in the heat by a row of shagged pot plants and I think how green was always the colour as you came to mind, a green coat once by a corner in Florence when you didn’t see me, leaning towards a match. You are ten yards away and ah, the distance, even then; or our lying side by side, your hair that I joked was like a fire stalking a step behind you, a smoky brilliance even now, when words like ‘desire’ are husks, shells, dead tongues, as once we reached them down from the living tree, the green sky, and our hands brushing like something scorched, loving without the palaver of having to say. And the utter ashes of it now, the same as if I’d read about someone else, un- moved. And you, caged in freedoms beyond flame.
7.
Aubade 02:57
AUBADE (Poem by Bill Manhire) His heart still bled. So he woke within a ballad. ‘Come soon, if that is what you meant. I am lonely, I am rough and insufficient.’ Oh he was certainly pale and later he was pallid. And oh his poor heart bled. Verse or refrain? There was a single willow and then the wind from Spain. Yet what came first and what was after? All he remembered was he left her by a stream or tree, or underneath a star, he left her beside her laughter.
8.
CHARLOTTE O'NEIL'S SONG (Poem by Fiona Farrell) You rang your bell and I answered. I polished your parquet floor. I scraped out your grate and I washed your plate and I scrubbed till my hands were raw. You lay on a silken pillow. I lay on an attic cot. That’s the way it should be, you said. That’s the poor girl’s lot. You dined at eight and slept till late. I emptied your chamber pot. The rich man earns his castle, you said. The poor deserve the gate. But I’ll never say ‘sir’ or ‘thank you ma’am’ and I’ll never curtsy more. You can bake your bread and make your bed and answer your own front door. I’ve cleaned your plate and I’ve cleaned your house and I’ve cleaned the clothes you wore. But now you’re on your own, my dear. I won’t be there any more. And I’ll eat when I please and I’ll sleep where I please and you can open your own front door.
9.
Signals 06:03
SIGNALS (Poem by Charles Brasch) No two bodies taste alike or smell alike. Your cat will tell you so sooner than I can, But not more certainly. You are not what you were before we knew each other; I cannot explain the difference, but All my antennae report it. Nor can I put my finger on the difference in myself Now we have learned to answer signals We did not receive once. Your skin tastes and smells of tropics where I walked Barefoot, nostrils wide and fingers Winged over waves, Where shadows drew me in through their like leafiness That is yours now, leafy, woodier to taste And salt with the salt we share insatiably, Yours, mine, still distinguishable though mingled As limbs are, as breathing is, As tongues that taste each other.
10.
Children 04:31
CHILDREN (Poem by Bill Manhire) The likelihood is the children will die without you to help them do it. It will be spring, the light on the water, or not. And though at present they live together they will not die together. They will die one by one and not think to call you: they will be old and you will be gone. It will be spring, or not. They may be crossing the road, not looking left, not looking right, or may simply be afloat at evening like clouds unable to make repairs. That one talks too much, that one hardly at all: and they both enjoy the light on the water much as we enjoy the sense of indefinite postponement. Yes it’s a tall story but don’t you think full of promise, and he’s just a kid but watch him grow.
11.
WHY OUR WASHING MACHINE BROKE (Poem by Jo Randerson) On the first day of school I missed my mother. I had home-made beef-roast sandwiches but I missed her. There she was at home-time and it was all okay, all of it. On the second day of school, I missed my mother. I had home-made beef-roast sandwiches but I still missed her. At home-time she was five minutes late but it was all still okay, it was all pretty much okay. On the third day of school it was making me cry. There was no beef-roast today and the school lunches tasted yucky. My mother came at home- time but the luncheon taste was in my mouth, pinky smelly luncheon and it tasted yuck. On the fourth day of school they gave me poison. I am sure of it. I was sick all day and sick when I got home. My teacher said it was nothing. My mother said it would pass. The poison said eat me, eat me all up. The next day of school I got very confused. When I tried to draw a seagull it just looked like a straight line and I didn’t understand how that big wooden box could be called a horse. When I looked around everyone was bigger and taller than me, and I felt a little dribble of something come out of my ear. I felt sick and I couldn’t eat my meatloaf. I got told off. I had to eat all the leftovers. That night while I was sleeping my brains leaked all over the sheets. My mother was angry that she had to wash them but she said it wasn’t my fault. It is no one’s fault. Some of us are just dumber than others. Some of our needs are very special indeed.
12.
I’M OLDER THAN YOU, PLEASE LISTEN (Poem by ARD Fairburn) To the young man I would say: Get out! Look sharp, my boy, before the roots are down, before the equations are struck, before a face or a landscape has power to shape or destroy. This land is a lump without leaven, a body that has no nerves. Don’t be content to live in a sort of second-grade heaven with first-grade butter, fresh air, and paper in every toilet; becoming a butt for the malice of those who have stayed and soured, staying in turn to sour, to smile, and savage the young. If you’re enterprising and able, smuggle your talents away, hawk them in livelier markets where people are willing to pay. If you have no stomach for roughage, if patience isn’t your religion, if you must have sherry with your bitters, if money and fame are your pigeon, if you feel that you need success and long for a good address, don’t anchor here in the desert – the fishing isn’t so good: take a ticket for Megalopolis, don’t stay in this neighbourhood!
13.
The Ring 05:43
THE RING (Poem by Katherine Mansfield) But a tiny ring of gold Just a link Wear it, and your heart is sold …Strange to think! Till it glitters on your hand You are free Shall I cast it on the sand In the sea? Which was Judas’ greatest sin Kiss or gold? Love must end where sales begin I am told. We will have no ring, no kiss To deceive. When you hear the serpent hiss Think of Eve.
14.
A YOUNG WOMAN FORSAKEN BY HER LOVER (Poem by Anonymous) Look where the mist Hangs over Pukehina. There is the path By which went my love. Turn back again hither That may be poured out Tears from my eyes. It was not I who first spoke of love. You it was who made advances to me When I was but a little thing. Therefore was my heart made wild, This is my farewell of love to thee.

about

Hello, my name is Lorenzo Buhne, welcome to "Wild Iron: New Zealand Poetry Adapted To Song" (originally released on Digibook CD in 2012 - you can purchase here: lorenzobuhne.bandcamp.com/album/wild-iron-new-zealand-poetry-adapted-to-song)..

Wild Iron includes some of the preeminent figures in New Zealand literature – past, present, and future: Katherine Mansfield, ARD Fairburn, Charles Brasch, Allen Curnow, Fiona Farrell, Sam Hunt, Bill Manhire, Vincent O’Sullivan, and Jo Randerson.

The poems I have chosen all have something about them which speak to me personally. My interpretation are a way to give homage to these writers and to connect with my new home.

The discovery of New Zealand writers and poets was a big part of my personal journey after moving here in 2003 to start a family. The poetry I read captured this new world I was experiencing, and provided a sense of the values, perspectives and aspirations of New Zealanders around me. In turn, it has became an ongoing point of reference in my own experience of “becoming Kiwi”.

I have played bass professionally in art-rock and punk bands in the United States for many years and Wild Iron is in many ways a new direction.

Having never worked with poetry before I found the idea to be interesting, if not, difficult. None of these works follow the conventions of typical verse-chorus song structures and creating adaptations has been much more challenging than I expected.

Submitting to the written word has allowed me to go into stylistic and interpretive directions I never anticipated.

It is my hope that in uniting poems and melody into song, Wild iron will introduce these poems to a broader audience, and allow those in the literary world to hear them in a new light.

I would like to extend my warmest gratitude to the poets and their estates for their generosity and allowing me to embark on this journey with them.

With Aroha,
Lorenzo Buhne

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credits

released September 29, 2023

Produced by Lorenzo Bühne and Kedron Parker

Mastered by Mark Wheaton at Catasonic Studios, Los Angeles, www.catasonic.com

Contributing musicians: Andreas Lepper, Ateo Bühne, Charley Davenport, Dan Yeabsley, David Long, John Rae, Kedron Parker, Lucien Johnson, Nick van Dijk, Patrick Bleakley, Richard Klein, Tristan Carter, Vivien Reid, Vito Lo Iacono, and Warren (Woz) King

Album Art by by Peter Lewis, www.warpart.co.nz

(c)(p) NocturnalSol, a division of Heyday Media Group/Made In Space Music

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Lorenzo Buhne Wellington, New Zealand

Lorenzo made a name for himself in the U.S. and Europe playing with legendary punk bands FEAR and The Dickies. After moving to New Zealand in 2003, he released two aadventurous Italian albums, 2005’s Sotto Sopra and 2008’s Buon Giorno.

Lorenzo then turned his attention to New Zealand poetry, and began a journey which has culminated in Wild Iron, his most ambitious and beautiful work to-date.
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